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The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context is conceived as an extension to Charles Lim’s SEA STATE project presented at the Singapore Pavilion, and is in response to Okwui Enwezor’s curatorial theme for the 56th International Art Exhibition – la Biennale di Venezia: All the World’s Futures.
Tasked by Nanyang Technological University Centre of Contemporary Art Singapore to create collaterals for the symposium, the brochure was designed in the form of a stylised rattan-weaved fan pattern - rattan weaved products are common in most of Southeast Asia. The pattern coincidentally forms the familiar shape of an curved auditorium with cascading steps, echoing the idea of a symposium. Pivoted in the centre, the fan-brochure opens in a swirling motion.